Every year for the last nine years Pendulum has completed a new or substantially renovated ballpark in addition to other civic and/or boutique projects. In the last three years we’ve made a conscious effort to shift our focus from a traditional architectural delivery methodology to a process that encourages a curating of the built environment.
Most of our clients as well as the users of our buildings are heavily influenced by art, fashion, food, music, environment, and automobiles just to name a few. The combination of these elements in interior and exterior spaces fosters enhanced user experiences. There is a certain vibe that people are looking for when they attend events in or around our facilities. Most people don’t spend much time thinking about why something is cool or why it feels right, but they immediately know when something is off, when the vibe is not authentic.
Our job as curators of the built environment is to design experiences that feel effortlessly appropriate and ahead of the curve. This design journal exposes you to some of our triumphs as well as our process. It is evidence that we not only talk the talk…we live it.
The most common question I get from people when they find out I design ballparks is: “which ballpark is your favorite?”. I always respond the same way because it’s true, “ballparks are like your children, you love them all”. The unspoken truth is that from time to time there’s one that rises above the rest, but still, the right answer is “you love them all”.
A habit I’ve developed over the last 24 years in the business is to go back to ballparks I’ve designed to check on how they’ve held up. Reconnecting with my friends in the front office (the operators) is something I’ve found a lot of joy in. When you think about it, who better to give feedback on the design than the people who live in the ballpark everyday? In an even greater sense, it’s rare to share a more intimate experience with a stranger than being in each other’s company on a weekly basis for months dealing with the stresses of the design process, budgeting, the intensity of the construction phase, and the feeling of joy after the work is complete; it’s a process that most people will never understand until they experience it, and the truth of the matter is very few people are afforded that opportunity.
I’ve been back to Dunkin’ Donuts Park at least ten times since its completion. Every time I’ve been I’ve enjoyed a surprising calm, free of the nervous anticipation I typically have when I visit some of my other past projects. This warrants further explanation… The reality is, once the front office takes occupancy of the ballpark, It’s no longer under my control. I don’t have the authority to influence what happens to the design after spending months nurturing it and well over a year monitoring developments during construction. To add insult to injury, after a season or two it’s been long enough that when I check in at the front desk no one even remembers who I am. It’s no longer my ballpark, it’s theirs…sometimes that hurts. Dunkin’ Donuts Park is different. Every time I’m at or around the ballpark I feel at home, almost like I never left. That’s a HUGE testament to the ownership of Josh Solomon and the leadership in the front office with Tim Restall and Mike Abramson.
I was invited to attend the final home game of the 2018 season at Dunkin’ Donuts Park. As usual I walked from the heart of downtown, across Interstate 84, and straight up Main Street to the intersection of Main & Trumbull. The first thing that always catches my eye is the custom billboards above the “Retro Brands Team Store”. This design feature is special to me because we had to fight for it. Believe it or not it wasn’t me fighting the owner; Josh Solomon was always on board 100%. Josh and I had to team up and convince the staff that we weren’t crazy. I won’t say they hated the idea… but they certainly didn’t love it. In all honesty I think the hesitation was more related to nervousness about “the unknown”; the reality is we were taking a leap with this one. Nobody else in MiLB had this, so the advice from MANY folks inside and outside our circle was to save the money and pass on the idea. I have to give Josh credit… I will never forget the conference call as we planned the photo shoot for the billboards. Someone said, “let’s pass on this idea”… and Josh said, “It’s time to step up and take the shot guys… we are doing this, so get on board.” The next thing you know the photo shoot is set with Internationally known photographers “The Wade Brothers” and the Yard Goats are shipping merchandise to Kansas City for the shoot.
Downtown Hartford has been bisected by I-84 for quite some time. It disconnects the northern portion of downtown from the southern two-thirds of downtown where the bulk of traditional urban retail, commercial businesses and entertainment exist. We encouraged the City of Hartford to site Dunkin’ Donuts Park in it’s current location to link the north and south with a visual terminating point. The ballpark anchors new development and increases pedestrian foot traffic, thus breathing life into the virtually abandoned edge of downtown. Instead of designing billboards that celebrate star athletes, as is typically done, we dressed everyday people of all shapes, sizes, and racial backgrounds in Yard Goats merchandise with the simple messaging “No Goats No Glory”. Our crazy idea was to celebrate the urban nature of our site while sending the important message that you don’t have to be an athlete to be great. You can be anyone from the neighborhood, just work hard and aspire to be great. Our plan worked out brilliantly because Main Street, as you walk across Interstate 84 visually
terminates right into the billboards; you just can miss the message. We placed additional billboards along Pleasant Street (north boundary of the site), which just happens to be across the street from an elementary school. The simple message there reads “Be Amazing”.
After passing the Main Street billboard I walked toward the VIP entry, checked in at the front desk, then went upstairs to the premium level. As usual I made a bee-line to the outdoor club seats behind home plate to take a seat and let it all soak in. This is my favorite pregame spot to capture a panoramic view of the seating inventory throughout the park. This is the time when the team is warming up on the field, the guys in the video production room are running through graphic programming for the game and staff is finishing last-minute pregame tasks… the calm before the storm when the gates open to the public and it’s time to play ball.
Once the gates open at 6pm I typically head indoors to the YG Club to see how the early crowd (pre-game parties and groups) use the space. The unobstructed view of the field from inside the club behind home plate encourages patrons to lounge between the bar and the open seating without feeling like they’re missing anything. The club is certainly one of my favorite features of the ballpark because it has the right energy. We purposefully designed the space for light levels, interior finishes feel dark enough to be just above a night club but not so bright that you feel like you’re in a cafeteria… it’s right in the pocket. The addition of the carving station that serves prime rib sandwiches was a nice move by the Yard Goats this season, it really contributes to the deliberate upscale feel of the club. It’s clear by the way people use the space that they feel comfortable and at home.
At around 7:15pm, the starting lineup had been announced and the national anthem had been performed. Although this was the 47th sellout of the season the seating bowl seemed to only be half full. It’s not because people weren’t there but because patrons were navigating the concourse and enjoying the many strategically placed activation spaces throughout. Each of the concession stands were branded to pay tribute to Hartford, CT history. “Dark Blues Diner” gives a nod to the Negro League team that played in Hartford in 1874 to 1876: The Hartford Dark Blues. “Huck’s Hot Corner” is a play on words honoring The Adventures of Huckleberry Finn, written by Samuel Clemons (Mark Twain) whose childhood home remains a historic landmark in Hartford. “The Whistle Stop” is a locomotive themed food cart that references the “New York, New Haven and Hartford Railroad Company” that operated in the New England region of the United States from 1872 to 1968. There’s “Reggae In Right” which is a food cart celebrating Hartford’s Caribbean culture. The cart, on the upper deck in right field, offers items from Scotts’ Jamaican Bakery, a family owned local business with deep Jamaican roots. Another local favorite is “Bear’s Smokehouse Barbecue” which occupies a purpose-built casual dining area in the left field corner. I can still remember the spirited design discussions with the team about the desire to create destinations on the concourse that contribute to the “emotional muscle memory” of the patrons. The plumes of BBQ scented smoke in the air, the sweet smell of Dunkin’ Donuts glaze… it’s all part of the experience that generates a time stamp in our minds, it’s these sensory memories that keep us coming back to the ballpark. The traditional peanuts, popcorn and Cracker Jack offerings will never be replaced but the emergence of innovative and regional options is a definite move toward the future.
At 7:30PM I headed toward the outfield group areas. Along the way I stopped off at the Beer bat stand. This is an added feature this season and another example of the Yard Goats’ willingness to enhance the fan experience by collaborating with local business. A local cup company that uses architects to design interesting vessels for drinks in Las Vegas pitched the Goats on cups shaped like everything from goats to trash cans as a novelty item. Yard Goats President and 2017 Eastern League Executive of the Year Tim Restall said, “what about a full size bat?”. The rest is history… and people are absolutely loving it! $9 buys an empty bat, $19 buys a bat full of beer, and you can refill the bat for $10. The promotion was such a hit that people who purchased a bat on a Monday returned later in the week on Thursday and kept the party going!
As I walked around the left field foul pole, the group area right below the scoreboard is the first section of seating I encountered. That we chose to design the bowl without a grass seating berm feature is one of those decisions that many people questioned, but to this day I think was the right move. Dunkin’ Donuts Park is urban, so I’ve always thought about the seating bowl as a bunch of small neighborhoods. Home plate and behind the dugouts is where the baseball purists sit for an authentic experience. The third baseline just below “Bear’s BBQ Pit” is a super cool section of seating called “Dunkin’ Dugout” that the Yard Goats donate to community groups every game. The left field foul pole seats were always in our plan to be the rowdy section of the park. Technically speaking, the seats are only five feet above the playing field surface with only a wire mesh rail separating patrons from players. This is next to the visitor bullpen that is just below the “Connecticare Picnic Pavilion” which terminates right into the center field batter’s eye. The entire outfield from the left field foul pole to the “Travelers Kids Fun Zone” was designed to feel totally different from behind home plate; it’s reminiscent of a smaller version of the outfield bleachers at Wrigley Field. When walking through “Travelers Kids Fun Zone” and heading towards right-center field the ballpark transforms to a double-deck area that again wraps itself around the home team bullpen (which is also visible from outside the secure line as you walk along Trumbull Street). This area was inspired by Fenway Park that very similarly exists within a very tight footprint. We emulated Fenway’s steel shapes and narrow concourses with the entire area of seating behind protective netting. Home runs that are hit in shallow right field must be hit over the 250’ long video display that serves as the edge of the approximately 650 fixed seats and open concourse, roughly 24’ above the playing field surface. At the end of the right field concourse directly behind the foul pole our stroll ended at the “Hanging Hills Short Porch”. We decided to poke fun at ourselves a bit for having such a short porch, so we ran the foul line all the way though the bar and up the wall.
Before I headed upstairs to the upper right field seating I stopped off at “Sheriff Tim’s Patty Wagon” a freshly made burger stand that was added this season. This is located right below the elevated premium seating area I affectionately refer to as “The Knuckle”, which is technically called “The Hartford Terrace”. I still prefer “The Knuckle” but I get the sponsorship angle for sure. This is one of my favorite locations on the main concourse, entering the main gates of the park, it’s the first view of the field that hits you. This spot is flanked by the main stair tower that supports the massive “Dunkin’ Donuts Park” naming rights sign on the left, the “Retro Brand Team Store” on the right as well as the game day starting lineup. This is the best place to people watch and listen to conversations and reactions as people walk in and around the concourse. On that particular night I heard a gentleman, an obvious out-of-towner, say, “Wow! Hartford did it right! They didn’t overbuild, it’s not too big… it’s perfect!”. I think his read was right on point.
It was time to navigate the final leg of my lap around the ballpark before heading to the Owner’s suite for a check in with the family and then back downstairs to the dugout suites to watch the annual end of season concert (more on that later). I always find it interesting to analyze the way patrons use the ballpark once construction is complete and I’ve moved on. Although we originally envisioned the right field upper deck seating as a means to an end to get to the right capacity, the area has actually become the hang out spot for young professionals. As I stood at the Budweiser standing tables that Tim Restall brilliantly added this season, I noticed a swarm of people arriving from the center field stair tower. They made a quick pit stop at the “Budweiser Sky Bar”, positioned directly above the batter’s eye screen, grabbed a drink at the bar and then circulated the upper concourse. This area is a heavily trafficked millennial haven that was my second favorite place to people watch and listen to casual conversation. By the time the game had progressed to the top of the seventh inning the upper concourse and seating was jam-packed, so much so that it became hard to see the field below due to the constant traffic and hordes of milling patrons. It was time to work my way to the Owner’s suite. It was perfect timing because the artist that was to perform the post-game concert had made their way to the suite and we stuck around for a bit talking about the music we grew up on.
At the end of the 2017 season the Yard Goats booked hip hop legend Curtis Blow,2018 year they had a double feature of Black Sheep and DJ Kool. It’s endearing to me that the team is 100% in tune with the surrounding community. We’ve all worked with people in the business with “attitudes” and that’s absolutely not what we’re talking about with team owner Josh Solomon and his family. Josh is tough, a business man, but fair, authentic and genuine. He surrounds himself with like-minded people and I appreciate that. There were many times during the stadium design that we had tough conversations (real talk), direct conversations, and sometimes weird stressful situations based on the goings on of the project that are well documented in the local Hartford news journals. Even so, we always had respect amongst the group and a genuine desire to extract the absolute best out of everyone involved in the project.
The post-game concert was a blast! The crowd was engaged and the artist was exactly like I remembered: seasoned veterans of the game with the ability to move the crowd with classic hip hop tunes… an incredible way to end the season. The Yard Goats didn’t make the playoffs but honestly, I don’t think it really matters. The citizens of Hartford came out and supported the home team, selling out seven more games than the season before and I’d be willing to bet money that they’ll sell out at least ten more games in 2019… that’s how much I believe in the people behind the brand. I can honestly say without hesitation that I am still in love with every inch of Dunkin’ Donuts Park. To be clear: it’s not just because I designed it, this feeling is much bigger than that. It’s the staff, the community, the passion of the ownership, it’s their willingness to put themselves out there every game and present themselves as just that much better than their counterparts. I will forever be a fan.
So to the good folks within the Yard Goat organization, have a great season…keep breaking records. It’s no mistake that “The Dunk” was voted best ballpark 2017 and 2018. The 2019 season is upon us – let’s get it!
Hartford, Conn., August 11, 2017 – Dunkin’ Donuts Park, home of the Colorado Rockies’ Eastern League affiliate Hartford Yard Goats, has been awarded BaseballParks.com’s “Ballpark of the Year”. The award was announced in the August 9th edition of USA TODAY Sports Weekly by Joe Mock, webmaster and founder of BaseballParks.com and frequent contributor to USA TODAY.
This prestigious honor has been awarded to new or substantially renovated ballparks for the last 18 years, and this year in particular featured formidable competition. Dunkin’ Donuts Park was selected from an all-star cast of facilities including SunTrust Park, the new home of the Atlanta Braves, and The Ballpark of the Palm Beaches, the spring training home of the Houston Astros and Washington Nationals.
Jonathan Cole, founding principal of Kansas City, MO-based Pendulum, was Architect of Record for Dunkin’ Donuts Park. He was joined by key members of the design team including Peter Newman, principal of Newman Architects and The S/L/A/M Collaborative’s Rick Bouchard, Chris Sziabowski, and Derek Czenczelewski on the pregame announcement with Joe Mock on the Yard Goats’ radio broadcast.
“As Architects and designers, we work diligently to make positive contributions to the built environment” said Cole. “When our work is recognized as being significant in the sports marketplace, in the local community, and nationally by an institution like BaseballParks.com, it is incredibly meaningful. Joe Mock has visited 349 ballparks and counting, so when he and his distinguished panel say a ballpark is good, it carries a lot of weight. We are deeply appreciative of this honor. It’s something we’ll never forget. It was even more special that we were able to be present with the team when it was announced.”
Joe Mock added “I actually visited the ballpark while it was still under construction. I could tell immediately that it was going to be something special. When I came back to check out the finished product, I was blown away. Not only is it supremely fun to attend a Yard Goats game, the design of the park itself is spectacular. It has the intimacy of small Minor League park, while providing all the amenities of a big-league stadium. From the YG Club behind home plate to the Budweiser Sky Bar high above center field, every inch of Dunkin’ Donuts Park is well-thought-out and expertly designed. This really sets the bar for any Minor League park to be built in the future.”
Dunkin’ Donuts Park now joins an elite list of award recipients, including Major League Baseball stadium icons like AT&T Park, home of the San Francisco Giants, Petco Park, home of the San Diego Padres, and PNC Park, home of the Pittsburgh Pirates.
“The design of Dunkin’ Donuts Park is timeless, a generous mix of the baseball nostalgia, that people love coupled with forward thinking amenities that offer our fans a big-league experience in a very compact footprint,” added Josh Solomon, owner of the Yard Goats. “The fact that the ballpark is creating the excitement that we hoped it would with the fans, which will lead to further transformation of the surrounding neighborhoods, is proof that the city of Hartford picked the right design team for the job.”
“Dunkin’ Donuts Park is a spectacular ballpark that combines the intimate, family-friendly feel of Minor League ball with the architectural quality of a big-league park,” according to Hartford’s Mayor Luke Bronin. “That’s one of the reasons Yard Goats games are selling out week after week and bringing thousands of fans and families to the downtown, which really adds to the City’s energy. It’s an honor to have BaseballParks.com recognize that the result truly stands out among parks across the country, including several Major League facilities.”
BY JOHN COX Californian staff writer email@example.com
After months, if not years, of anticipation, Bakersfield got the good news Thursday: a new ballpark is firmly in the works. Owners of the Bakersfield Blaze unveiled plans for a privately financed, 3,500-seat stadium that would become the first-phase centerpiece of the Bakersfield Commons mixed-use development project at Coffee and Brimhall roads. Construction is expected to begin early next year and the ballpark could open in 2014, although not necessarily by the start of the baseball season. The $20 million stadium essentially would replace the county’s aging Sam Lynn Ballpark with a family-oriented facility to be accompanied eventually by new restaurants, retail and entertainment such as a new movie theater. “The idea of this is to be more than just a baseball field,” said Gene Voiland, a prominent local oil executive who together with Bakersfield oilman Chad Hathaway purchased the Blaze last spring. “We are putting together an entertainment complex.” If approved as proposed, the 15-acre project would crown decades of sometimes frustrating negotiations aimed at giving Bakersfield a new baseball stadium. It would also comprise the “anchor tenant” considered key to attracting retail tenants to the 255-acre Bakersfield Commons project. While the stadium would present new opportunities — it is expected to become a venue for concerts and, potentially, Cal State Bakersfield baseball — it also carries financial risks for the team’s new owners. By their own estimate, the new stadium will have to draw an average of 2,500 spectators per game, or about five times the typical Blaze home game at Sam Lynn. The expectation is that the project will bring The Blaze into the black financially, the team owners said Thursday.
The team hopes to sell advertising at the stadium and offer naming rights. There would also be up to eight executive suites, as well as lower priced seating on grassy berms, together increasing capacity by 1,500 people. The Blaze will move its offices and training facilities to the site, and roughly double its full-time staff to as many as 20 employees. Many will be assigned to develop non-baseball revenue opportunities, Blaze General Manager Elizabeth Martin indicated. Voiland and Hathaway disclosed their plans to The Californian Thursday morning, shortly before filing for a conditional use permit with the city of Bakersfield. They predicted that the stadium’s light, noise and traffic impacts will not bother area residents or present additional hurdles to city approval of the larger Bakersfield Commons project. Upon receiving the team’s permit request Thursday afternoon, city staff scheduled a Dec. 11 hearing before the city’s Board of Zoning Adjustments to consider what amounts to an adjustment of the project’s existing approval. Rhonda Smiley, assistant to Bakersfield City Manager Alan Tandy, who was away from the office Thursday, said city staff are “enthused” about working with The Blaze on the stadium. “Obviously the city … has been … long interested in bringing baseball — professional baseball — to a higher level in Bakersfield, in terms of an improved stadium,” Smiley said.
Some of the stadium’s groundwork is already in place. The Blaze has signed a 20-year, renewable lease with World Oil Corp., the property’s owner and developer of the Bakersfield Commons project. The team has also hired two separate architectural firms – Pendulum Studio, a Kansas City, Mo. –based firm with experience designing sports stadiums; and Fresno’s Teter Architects & Engineers. The builder is to be Bakersfield-based Wallace & Smith General Contractors. The project’s real estate adviser is Grubb & Ellis – ASU & Associates in Bakersfield. How the project will be paid for is less clear. The team’s owners declined to discuss details of the necessary financing, saying only that no public money will be involved and that they are looking for local investors to help them move forward with the stadium. World Oil representatives said they see the project as key to kick-starting Bakersfield Commons, which wouldn’t begin building about 300,000 square feet of adjacent retail and restaurant space until about the time the stadium opens. Residential and office development would follow later. “The Blaze stadium is the perfect catalyst to get this started,” World Oil principal Robert Roth said in a written statement. Access to the stadium would come largely from the Coffee Road exit of the Westside Parkway, which is expected to be completed in the spring of 2012. Baseball fans will find some 830 parking spaces spread over eight acres. Ticket prices have not yet been established but are expected to vary between $9 and $11 depending on where in the stadium the seat is located. Voiland said tickets won’t cost as much as $20. “It’s still going to be family-priced entertainment,” he said.
If you’ve never designed a building that’s actually been built, the closest thing I can liken this process to is the birth and rearing of a child. While in most cases you had a great deal of fun making the baby – there’s always that anxious anticipation that exists while you wait nine months for it to finally reveal itself to the world. Prior to the birth of my first son I remember constantly wondering: what’s he going to look like? What are people going to say about him? Is he going to be healthy…with all his fingers and toes? Am I even worthy of the privilege of being a parent? The reality of the matter is there’s quite a few variables that contribute to how things will ultimately turn out – some in our favor and others that challenge us as individuals. Either way as parents we learn to shoulder that responsibility and forget about excuses. As a father of three (two boys and one girl), I can truthfully say that each of my children are unique with their own little quirks and temperaments; what works for one doesn’t necessarily work for the other, and they certainly test my patience from time to time…well, actually on a daily basis. Be that as it may, in my eyes they are adorable – I’d do absolutely anything for them and although the existence of those “little personality quirks” are trying and sometimes less than appealing in public, they are my kids and I love them to death.
The same is true with buildings that we as architects design. We invest countless hours during pre-development in pursuit of being selected for the project. We then spend months conceptualizing, studying the site, responding to existing context, interpreting code requirements, attending public meetings, and pitching design ideas to owners, all while attempting to balance the ever-changing variable we loving refer to as the budget. We fight in behalf of sacred cows (key design elements) that often get slaughtered, we passionately debate scope, and we ride the tide of political will…something we as architects were never prepped for during the college years. Finally at the end of six to eight months of design/documentation and ten to fourteen months of construction it’s time for opening day at the ballpark. There’s no tell-all journal published that outlines the arguments over additional services, change orders, screw-ups in the field, or squandered design opportunities; on occasion we actually show up to opening day with a few scars…but that’s our job as the architect, we shoulder the responsibility and forget about excuses. While there’s always things we wish we could go back and change, there’s always that one thing that we adore about our design – until someone decides to knock the building down, no one can take that away from us.
The Return Home
In 2008, when Pendulum Studio was commissioned to design a $9,000,000 multi-use ballpark on the Heartland Community College Campus, we knew going in that the budget was tight, so our strategy was simple…keep it simple. Now that the facility is complete and in the midst of its second full season of operation we were invited back to lead a tour for 50 fans interested in the inner workings of the facility. To be honest, this process was as informative to us as it was intended to be for the fans – this kind of exercise is a great way of gauging if we were successful in executing what we set out to accomplish; aside from operational feedback from the team, who better to hear it from than dedicated fans?
One of my favorite things about this ballpark is the surprise that’s unveiled when you walk through the gates in the outfield and up the stairs, or from the sidewalk through the main gates behind home plate and catch your first glimpse of the playing field. It’s a great feeling when you realize that even though from the street the exterior facade is not extravagantly ornate, the openness of the outfield concourse and the deliberate break in the press box building mass behind the bag forms a view corridor that immediately sends a signal to your brain that says “this is going to be a great place to watch a game.”
The main entry concessions behind home plate are flanked by keg storage rooms and adjacent open patio areas that were originally intended to serve as beer gardens with tapped counters and bar stools. Although the beer gardens were not executed in the initial build, beer lines and power has been stubbed up in the appropriate locations for future use. In the interim both areas have been landscaped to offer a nice getaway from the hustle and bustle of the busy main concourse.
As you work your way down the first base concourse toward the outfield entry there’s no shortage of grass berm seating – room for approximately 1,500 down each line – 3,000 total. We engineered the slope at grade identical to the seating bowl to allow for future expansion of additional seating sections, group decks, and party areas as demand rises and funding becomes available.
The outfield wall was intentionally designed to be low and deep to create great lines of sight even at the lowest points near the base of the wall. There’s a future opportunity for the installation of drink rail and sponsor advertising at the top of the berm along the concrete walk – the picture below illustrates this vantage point from the top of the berm; the only thing that would make this experience better is an ice-cold beer in your hand.
The scoreboard below is positioned just in front of the locker room facilities in right-center. When the home team takes the field, they walk directly out of the locker room under the scoreboard, then down through the corn to the playing field surface.
The Future…Room For Smart Growth
Phase one of this project involved a great deal of pushing and pulling. We stretched our dollar pretty far and created a nice starting point for where we’d like to see things ultimately go a season or two down the road. The future addition of concourse roof covering, drink rails in the outfield, group decks, outfield entry roof to match home plate, the installation of our original 20′ x 40′ drive-in movie screen and finally a pedestrian bridge to connect both ends of the concourse will help the facility to fill out a bit and grow to full maturity. It’s going to take time to get there, and the $1M that’s required to make it happen is not going to be easy to obtain but as my father always says, “timing is everything”. With an announced 3,100 in the crowd and an actual attendance of approximately 2,500 on a friday night (7/8/2011) and with the expectation of 5,000 on Saturday for the game followed by their first concert, I’m confident they will make it happen sooner than later.
As I mentioned at the outset of this post, designing and constructing a building – in this case a ballpark, really is like birthing and rearing a child. There’s a lot of give and take, a little sacrifice here and there but as designers, architects, “parents”, we shoulder that responsibility. At the end of our day at the ballpark, there were two things that happened that were pretty fulfilling: 1) post tour – the fans told us how much they sincerely enjoy attending ball games at this facility, 2) for the first time I got to sit in the stands with my business partner and our families and just relax and enjoy. We are proud of our work.
Our message at the 2010 Baseball Winter Meetings was pretty direct – “The ballpark of the future will be smaller, multi-purpose, economically and environmentally sustainable.” The proposed new ballpark for the Green Bay Bullfrogs is all of the above.
When Pendulum Studio was selected by the Bullfrogs to design the new ballpark, the first order of business was choosing a great site. Although there were a number of sites in consideration, when we arrived at this tiny six acre brownfield parcel in downtown Green Bay, we knew our search was over. The site is bordered by the Fox River to the East, a 200-foot wide river inlet to the North, and Mason Street bridge to the south.
The ballpark design focuses on “right-sizing” the facility to maximize natural site amenities including views to the Fox River and the downtown skyline from inside the ballpark. The incorporation of a generous double-sided grass berm, kid’s fun zone, plaza level wood deck, and a second story banquet pavilion encourages community use during game day and non game day events at the river’s edge. The left field river inlet will feature boat slips in a second phase to accommodate game day boat traffic and a “boat-up” drive-in movie screen attached to the back of the scoreboard.
Small Ballpark With Big Features
As fans pass through one of three secure entry points pictured above, they will have the option of enjoying ballpark features that include the bullpen bar down the left field line, loge boxes behind the left field dugout, dugout club seating behind home plate, and the Bullfrog upper deck down the right field line. Rather than focusing on maximizing the number of fixed seats like most traditional stadiums, our design focus is on maximizing diversity in seating inventory which increases team revenue potential. Although we have incorporated a number of traditional ballpark features in our design, our site specific and contextual approach to this ballpark makes it far from cookie cutter, it will be one of a kind.